In-line 360 is an immersive circular installation that uses light, motion, and sound to create a continuously shifting perception of space and the horizon.

In-line 360 is an immersive circular installation that uses light, motion, and sound to create a continuously shifting perception of space and the horizon.

In-line is an audiovisual installation that reinterprets the horizon as a perceptual phenomenon, transforming a confined space into an ever-shifting continuum. In its V360 iteration, the piece unfolds within a monumental circular structure — 13 meters in diameter, suspended 2.5 meters above ground — creating a seamless and immersive 360° experience visible from both inside and outside.
                Originally conceived as a modular work adaptable to diverse formats, in-line evolves its spatial language in this version by fully embracing circularity and continuity. This transformation deepens its core aim: bending time-space perception through light, motion, and sound.
                At the heart of the installation lies light — guided by motion, shaped by rhythm. As light moves through time, it forms intricate geometries and fleeting alignments, generating ever-changing patterns that hover in space. These forms balance between order and chaos, constantly birthing new visual realities.
                The sound design, composed in full sync with the visuals, reinforces a unified sensory field. Visitors are invited to step out of linear time and into a generative environment, where audio and visuals blur the boundary between interior and exterior, presence and illusion.
Through its architecture and immersive media, in-line offers a contemplative experience — where the horizon is no longer a distant line, but a spatial condition to be sensed from every angle.

In-line is an audiovisual installation that reinterprets the horizon as a perceptual phenomenon, transforming a confined space into an ever-shifting continuum. In its V360 iteration, the piece unfolds within a monumental circular structure — 13 meters in diameter, suspended 2.5 meters above ground — creating a seamless and immersive 360° experience visible from both inside and outside.
                Originally conceived as a modular work adaptable to diverse formats, in-line evolves its spatial language in this version by fully embracing circularity and continuity. This transformation deepens its core aim: bending time-space perception through light, motion, and sound.
                At the heart of the installation lies light — guided by motion, shaped by rhythm. As light moves through time, it forms intricate geometries and fleeting alignments, generating ever-changing patterns that hover in space. These forms balance between order and chaos, constantly birthing new visual realities.
                The sound design, composed in full sync with the visuals, reinforces a unified sensory field. Visitors are invited to step out of linear time and into a generative environment, where audio and visuals blur the boundary between interior and exterior, presence and illusion.
                Through its architecture and immersive media, in-line offers a contemplative experience — where the horizon is no longer a distant line, but a spatial condition to be sensed from every angle.

Originally conceived as a modular work adaptable to diverse formats, in-line evolves its spatial language in this version by fully embracing circularity and continuity.

Originally conceived as a modular work adaptable to diverse formats, in-line evolves its spatial language in this version by fully embracing circularity and continuity.